Friday, May 31, 2019

Julianne Moore Was Fired From Can You Ever Forgive Me And It's Still 'Painful'

Julianne Moore Was Fired From Can You Ever Forgive Me And It's Still 'Painful'
Julianne Moore in Still Alice and Melissa McCarthy in Can You Ever Forgive Me?

Oh, sweet rejection! We’ve all faced it at one point in our lives, and actors are certainly no stranger to it in the cutthroat business of Hollywood. Even with the status and acclaim Oscar winner Julianne Moore has achieved in her over 30 years as an actress, she is not untouchable to it either.


During a recent visit to What Happens Live with Andy Cohen, Julianne Moore was asked why she left the film Can You Ever Forgive Me? which was a buzzy award season title. Here’s her blunt response:



I didn’t leave that movie, I was fired. Yeah, yeah, Nicole [Holofcener] fired me. ... I think she didn’t like what I was doing. We hadn't [started filming yet], we'd just been rehearsing and pre-production and stuff. And I think that her idea of where the character was was different than my idea of where the character was, and so she fired me. I haven't [seen the movie] yet, because it's still kind of painful. I love Melissa McCarthy, I worship her, I think she's fantastic, so I'm sure she's great.






Wow! It’s hard to wrap our heads around such a phenomenal actress being fired from a role. However, every director has a vision, and if the way Julianne Moore played the part didn’t match up with that, it certainly happens! Melissa McCarthy was later cast instead in the true story of best-selling biographer Lee Israel, who decides to forge letters from famous deceased authors and playwrights.


Julianne Moore admitted that she took the firing pretty hard, continuing with these words:



The only other time I was fired was when I was working at a yogurt stand when I was 15. So, yeah it felt bad.






The 58-year-old actress has been enjoying over 40 years without career rejection (after already nabbing a role anyway), so her pain surrounding the situation is understandable. That’s without mentioning the high praise the movie received throughout award season.


Can You Ever Forgive Me? also earned three nominations at the Oscars, including a Best Actress nod for Melissa McCarthy (in Moore’s former role), Richard E. Grant for Best Supporting Actor, and a nod for Best Adapted Screenplay.


Julianne Moore signed on to the project back in 2015 when the screenplay writer, Nicole Holofcener, was also going to direct the film as well. Soon after Moore was fired, Marielle Heller took Holofcener’s place as director and Melissa McCarthy was cast. Chris O’Dowd was also previously attached to play Richard E. Grant’s role of Jack Hook; here’s what O'Dowd told the BBC in February about it:






What a heartbreak… We were ready to go, it was myself and Julianne Moore, and we had moved to New York, and maybe two days before we started filming, there was some creative differences that I wasn't really involved in. I was surprised, that the film wasn't going ahead at the last minute.



At the end of the day, Chris O’Dowd feels like it was meant to be for Richard E. Grant, and thought he did a wonderful job, but does note “I would've preferred if it was me!” The actors above all else seemed bummed because it was a project they were excited to be a part of. McCarthy and Grant delivered some incredible performances and Moore and O’Dowd will certainly have more chances to dazzle on screen.


Thursday, May 30, 2019

Captain Marvel Really Thought Out Goose’s Tentacles

Captain Marvel Really Thought Out Goose’s Tentacles
Goose the Cat / Flerken in Captain Marvel

Captain Marvel may have been the title dominating box office numbers the past few months, but Goose the Cat came straight for our hearts with his adorable scene-stealing moments, namely when he goes full-Flerken and unleashes his tentacles during a space battle. Behind the scenes, a lot of work went into bringing the comic book character to life – in fact, according to VFX supervisor Christopher Townsend, the trickiest visuals to pull off amongst Captain Marvel were those concerning Goose.


Even though much of the cast worked with actual cats on set, about 80% of the shots of Goose are CGI, and creating his tentacles that line his mouth full of pocket dimensions took a lot of attention to detail. Just check out what Christopher Townsend recently said:



In this case, we liked the tentacles look and then we tasked (Industrial Light & Magic) with creating multiple pieces of artwork to try and come up with some ideas of, 'What do the tentacles look like? Are they silvery? Are they metallic? Are they totally organic? Do they look like octopus tentacles or squid tentacles? Should they look like larvae or snakes?' and they came up with a whole bunch of different looks and some with more or less tentacles.





Imagine sitting in a meeting like that discussing Flerken tentacles for actual work. That’s bonkers. In his interview with ComicBook.com, Christopher Townsend explained that whenever he works on Marvel projects, him and his team try to pay homage to the source material wherever they can. When it came to this feline Flerken, they ended up going with just about the exact design from the comic books.


While they created a bunch of different designs to consider, the one closest to what’s found between the pages of Captain Marvel worked out perfectly. The main change to the character was the name, since in the comics he is known as Chewie. The filmmakers decided to go with a Top Gun reference when naming the character set in the ‘90s instead of tying him to Star Wars, which isn’t as anchored in the period being depicted since it’s more of a hot topic today.


Apparently the CGI versions of the cat was so realistic that the film’s directors Anna Boden and Ryan Fleck couldn’t tell the difference. On set Brie Larson struggled with her cat allergy and while Samuel L. Jackson was great with the cats as it looks on screen, he gave us some mixed signals about whether he enjoyed working with his feline co-stars. Ben Mendelsohn, who played Talos the Skrull was apparently very patient with them and helped them get used to working with a green alien.




Since the Flerken was shown to not only be adorable but of a “high threat level” in Captain Marvel, fans are awaiting a return for Goose. While many were rooting for a comeback in Avengers: Endgame the character sadly didn’t get the invite. Maybe next time… given Fury’s forgiven the feline for their last encounter.


Wednesday, May 29, 2019

ReelBlend #62: Us Spoilers And Our Danny Elfman Interview

ReelBlend #62: Us Spoilers And Our Danny Elfman Interview

The ReelBlend podcast tends to be a safe and positive space where movie lovers come to celebrate film. But every once in a while, a movie generates tension amongst the guys, and creates a spark of controversy that helps the guys get heated.


Jordan Peele’s Us is one of those movies.


And the funny thing is, Jake and Sean both like it. A lot, even. But Kevin loves it, and doesn’t agree with Jake and Sean’s issues with it.




This one gets very spoilery. But if you saw Us over opening weekend – and the box office suggests that a lot of you did – you are going to want to listen to this week’s episode of ReelBlend.


Before they got to spoilers, the guys discuss the Us box office, and they get into the alleged run time of Avengers: Endgame. The guys marvel (no pun untended) at how much of Endgame Disney and Marvel have been able to hide, with next to no real footage being shown in the marketing.


From there, it was a whole lot of Us talk. But that’s not all. Kevin conducted an interview with Danny Elfman on behalf of the podcast, where they talked Dumbo, and his entire career. You do NOT want to miss that conversation.




In light of March Madness, this week’s Blend game is #SportsBlend and the stories that came out of it were really personal and touching. Also, next week’s game already sounds like it’s going to be a blast.


ReelBlend is a weekly podcast that we do on CinemaBlend. You can download the latest episode (and all of our past episodes) for FREE on our iTunes page! Visit. Subscribe. Like and comment. Review! Apple loves when you have star ratings and reviews, so if you listened, and you liked it (or even if you didn't), let us know. We also are on Spotify. And Google Play. And basically everywhere that you download podcasts. So download us.


Meanwhile, follow the guys on Social Media! We have an official Twitter feed for the show, so follow @ReelBlend. In addition, follow the guys at @Sean_OConnell, @JakesTakesand @KevinMcCarthyTV.




Terminator: Dark Fate Used A Clever Sarah Connor Callback To Reveal New Poster

Terminator: Dark Fate Used A Clever Sarah Connor Callback To Reveal New Poster
Arnold Schwarzenegger Terminator 2: Judgment Day

There's no fate but what we make for ourselves, and fans took that very seriously when it came to the Terminator: Dark Fate poster. You may know that tomorrow -- Thursday, May 23 -- we are getting the first official trailer for Terminator 6. A day ahead of schedule, the movie's official poster was revealed. The reveal used a perfect callback to the first movie, 1984's The Terminator, just using social media instead of a phone book.


Before the official Terminator: Dark Fate site shared the poster of Linda Hamilton's Sarah Connor, the wise sages at The Terminator Fans discovered that the poster had already been quietly shared another way:


Yes, there's a new account called @SarahConnor829 -- with that August 29 date having special significance as Judgment Day itself. That account just opened and only shared one tweet, the poster that the fans quickly found.




The official Terminator: Dark Fate Twitter account reposted the above tweet with congratulations:



You've identified the official poster. She is the one we've been looking for.



Here's a little more background on Paramount's clever marketing twist for the poster. In an ode to Arnold Schwarzenegger's 1984 Terminator going through the phone book to find and kill off any and all Sarah Connors to get to the right one, there was a Twitter list created of Sarah Connors. A Sarah Connor account within the list launched the poster early Wednesday morning -- the day before the trailer release -- and The Terminator Fans site found the right one.




Here's a full look at the poster, which was shared with the caption "Welcome to the day after Judgment Day":


Terminator: Dark Fate is meant to be a sequel to both The Terminator and Terminator 2: Judgment Day -- considering "forgettable" films Terminator 3, Terminator Salvation, and Terminator Genisys as happening in alternate timelines. T2 ended with Sarah and John Connor driving away down a highway, and that's another reference you can see in the new Dark Fate poster.


As you can see with this poster, Linda Hamilton's Sarah Connor is front and center in the promotion for Terminator: Dark Fate. In this case, she walks alone, even though she will be joined by several old and new characters. Arnold Schwarzenegger will be returning as T-800, with newcomers including Mackenzie Davis as assassin-from-the-future Grace, Natalia Reyes as Dani Ramos, Diego Boneta as Dani's brother, and Gabriel Luna as the new Termintator. The new liquid metal Terminator can duplicate himself, and apparently he has been sent to terminate Dani, while Grace is meant to protect her.




Linda Hamilton said James Cameron is the one who convinced her to come back for Terminator: Dark Fate. He directed her in the first two movies, but now he's "just" a hands-on producer, although he's also on the list of story-by credits. Tim Miller (Deadpool) is the one who directed Terminator 6.


CinemaBlend already got to see some early footage from Terminator: Dark Fate at CinemaCon 2019 and shared a promising update.


Fans will get their first looks at Terminator: Dark Fate footage when the first trailer drops tomorrow morning, Thursday, May 23. The movie is scheduled to open in theaters on November 1, 2019. Keep up with all of the 2019 release dates with our handy guide.




Tuesday, May 28, 2019

ReelBlend #68: Our Interview With John Wick: Chapter 3 Director Chad Stahelski

ReelBlend #68: Our Interview With John Wick: Chapter 3 Director Chad Stahelski

Very few directors currently are doing action as well as Chad Stahelski. He learned from the best. The kickboxer turned stunt performer turned coordinator turned director has been reinventing the stunt/fight wheel with the John Wick franchise, which is continuing this week with John Wick: Chapter 3 – Parabellum.


Before the movie opens in theaters, Stahelski was kind enough to join the ReelBlend podcast for a candid discussion on his extensive approach to action-set constructions, the insane amount of time it takes to do action scenes with trained dogs, the way they broke story for the John Wick saga, and the influence that The Matrix continues to have on action movies to this day.


(In case you were unaware, Chad Stahelski first met Keanu Reeves when we worked as the actor’s stunt double on all three Matrix movies. Theirs is a legendary partnership that stretches back decades.)




It was an honor to have Chad Stahelski on our show, and we know the Blenders are going to love his incredible stories about the John Wick films, and moviemaking in general.


Before we got into our conversation with Chad Stahelski, we discussed the news that Game of Thrones showrunners David Benioff and D.B. Weiss will be the ones to get their Star Wars movie in theaters in 2022. There hasn’t been confirmation that their trilogy will continue in 2024 and 2026 (or if Rian Johnson will get one of those slots to begin HIS trilogy), but those guys are slated into the 2022 slot, and we discuss how that impacts Star Wars going forward.


Speaking of Game of Thrones, Kevin, Sean and Jake weigh in with their opinions of the next-to-last episode of Game of Thrones. Their largely split on how things played out, but they talk about how the season is concluding, and how they think the finale will play out.




Finally, this week’s #Blend Game focused on the films of Sofia Coppola. How many of the guys chose Lost in Translation?


ReelBlend is a weekly podcast that we do on CinemaBlend. You can download the latest episode (and all of our past episodes) for FREE on our iTunes page! Visit. Subscribe. Like and comment. Review! Apple loves when you have star ratings and reviews, so if you listened, and you liked it (or even if you didn't), let us know. We also are on Spotify. And Google Play. And basically everywhere that you download podcasts. So download us.


Meanwhile, follow the guys on Social Media! We have an official Twitter feed for the show, so follow @ReelBlend. In addition, follow the guys at @Sean_OConnell, @JakesTakesand @KevinMcCarthyTV.




Monday, May 27, 2019

YouTube Reportedly Changes Algorithm To Combat Captain Marvel Trolls

YouTube Reportedly Changes Algorithm To Combat Captain Marvel Trolls
Brie Larson firing energy blast on a train in Captain Marvel

Captain Marvel may have a serious Skrull problem on the big screen, but here in reality the Captain's big antagonist is a horde of different creatures, internet trolls. The newest Marvel movie was dealing was a large group of internet trolls who began review bombing Captain Marvel before the movie ever actually hit theaters. At the same time it was happening, Rotten Tomatoes made some changes to its site, and now it looks like YouTube might have made a slight tweak to its algorithm to avoid the same problem.


An eagle-eyed fan on Twitter discovered, and it was confirmed by CNET, that if you enter either Captain Marvel on Brie Larson in the search bar of YouTube, the resulting list defaults to the "News" heading rather than just giving you a random list of popular videos. Searching for Brie Larson will give you interviews she has done recently or other more factual based videos. Here's what you get if you search for Larson...


On the other hand, here's what you get if you just do a search for Avengers: Endgame. Notice, there's no news header at the top and the videos that appear are theory and opinion videos rather than interviews about the film.





It certainly appears that a switch got flipped somewhere at YouTube, as the videos are quite different for Captain Marvel related searches. While YouTube hasn't currently commented on the situation, many are wondering if the site made the change to push the trolling and review bombing posts further down the page to make them harder for people to find.


This comes after Rotten Tomatoes made changes to the way the audience score for movies is handled on the site. While RT claims Captain Marvel was not the reason the change was made, the fact is the movie was certainly being hit by a deluge of negative reviews that came before any of those commenting could have seen the film, which showed the movie was clearly a victim of the practice. YouTube would have a hard time claiming this was a Captain Marvel issue, as it's the only movie seemingly effected.


The campaign of negative criticism did not appear to have much impact on Captain Marvel. The movie did massive business over its opening weekend and, while the critical reviews haven't been quite as glowing as previous MCU entries, the majority of people, both critic and general fan, seem to like the movie.





Of course, this decision doesn't simply hurt the trolls. It will also have an impact on Captain Marvel content that isn't trying to be inflammatory, that might actually be complementary. It's all going to get pushed to the bottom, which could be a larger issue for YouTube in general.


Sunday, May 26, 2019

The Importance Of A Good Prosthetic, According To Taraji P. Henson

The Importance Of A Good Prosthetic, According To Taraji P. Henson
The Best Of Enemies Taraji P. Henson standing in an office defiantly

Playing a figure in real life is a minefield of minute details. Everything from speech patterns to hand gestures, as well as wardrobe choices and physical appearance, can be studied and scrutinized in the name of turning yourself into another person. But even with all of that effort, it still isn’t an exact science. That is when the time honored tool of a good prosthetic suit comes in handy, and while playing The Best of Enemies’ civil rights hero Ann Atwater, actor Taraji P. Henson understood this specific point the best.


During CinemaBlend’s recent conversation with Taraji P. Henson, as part of The Best of Enemies’ promotional tour, the subject of just what it took for her to sink into character came up. And in discussing that point, it all came down to the physical transformation that Henson had to make in order to truly embody Atwater’s trademark movements and gestures.


In the effort to make this change as accurate as possible, the suit that Henson wore in the film needed to undergo some specific alterations. And those changes, as explained in our conversation, came down to the following physical attributes:





The boobs were small, and they were perky and pretty. And I was like, ‘That doesn’t match the woman.’ … When I put the suit on, it felt light. I felt like I was walking like myself, and I was like, ‘I need to walk differently, I can’t walk like Taraji. I need to be earthy, heavy, in the ground, you know?’ I said, ‘Call Tyler Perry, and ask him who made Madea’s boobs, because I need boobs like that.’ … My point is, they didn’t think I would be willing to go there, and I was like, ‘I have to. This is a real person. I would be doing her a disservice if I didn’t."



It’s that sort of dedication that’s been extremely significant in Taraji P. Henson’s evolution as an actor. In preparing for Proud Mary, Henson previously spoke to us about how she prepared to deal with a film that had more action than she was previously used to. That same dedication is what comes through in her description of how she got ready for The Best of Enemies, as everything from how Ann ate to how she walked was put on the table as qualities to be studied and mastered in her portrayal.


The end result was something that everyone on set, and especially Taraji P. Henson herself, noticed during the filming of The Best of Enemies. Even her own personal security detail, whom she hired after their work on Proud Mary, noted to her that she was a totally different person once she’d gotten into her full prosthetic suit. And thanks to her push for a more accurate design, Henson was able to proudly claim this special victory:





For me, every time I put the suit on. Every time I got suited up, and I put on that fat suit, I was Ann.



It doesn’t matter if it’s getting a prosthetic suit just right, adapting to intense stunt work or whatever other challenges she has faced in the various projects she’s been a part of, Taraji P. Henson has a process when it comes to digging into a role; and it’s a huge part of what makes her specific brand of acting so unique. Tthat process works like a charm, as it allowed her to truly dig into the personal story of Ann Atwater and C.P. Ellis’s friendship, which is at the very heart of The Best of Enemies.


The Best of Enemies will be in theaters this Friday.




Saturday, May 25, 2019

How Anthony Mackie Learned About Avengers: Endgame's Captain America Twist

How Anthony Mackie Learned About Avengers: Endgame's Captain America Twist
falcon avengers infinity war

SPOILER WARNING: Big time spoilers follow! Please see this movie and then come back here later!


Avengers: Endgame may not close the door for every character, but it certainly serves as a finale for some huge pillars of this cinematic franchise. New beginnings and endings collide in the final scene of Endgame with Steve Rogers and Sam Wilson. It ends in a huge moment for both characters, and Anthony Mackie has finally opened up about filming the scene, what it means for the future, and the extremely touching and awesome way he first learned about it.


Okay, it's spoiler time. The Russo Bros. may be lifting the spoiler-ban on Monday, but I don't want to get beat up, so this is your last chance to turn away.




All right then. In the final moments of Endgame, Steve Rogers volunteers to travel back in time and return the Infinity Stones to prevent some very dark alternate realities. After doing his job, Steve decides to finally live the life he's always wanted and instead of returning to the present, stays in the 1940's to be with Peggy Carter. He arrives back in the main timeline as an old man, having lived a full and content life with his one true love.


But the world needs a Captain America, and Steve hands Sam Wilson his old shield. That's right, Falcon becomes the new Captain America. It's a super sweet and touching scene that has a lot of weight to it, and that's almost the exact same way Mackie learned about the scene. He was told by none other than Chris Evans, and they got to share a nice moment together.



We were at [Chris Evans’] house and he goes, 'You excited?' And I go, 'What are you talking about?' and he goes, 'You don't know?' He jumps up, runs out of the room and comes back in with the script… We cried. We drank. We laughed. I am very happy I got that moment with Chris, for him to not only pass me the shield, but to tell me it was happening.





Mackie told the IMDb Show that he learned about Falcon's future at Chris Evans' house. Mackie didn't even know about it yet and it sounds like Evans was incredibly excited to tell him about it. It's great that the two of them got to share a private moment about it, considering that their characters are so close in the movies.


Sam Wilson's future is looking bright, and Mackie sounds excited to see where it all goes. He also spoke about how he feels about the big change, what it means going forward, and what he hopes it'll mean to his sons. (I'm not crying, you are!)



It means a lot to me for my sons to see Captain America as a black dude and for me to be that dude to my sons. So that moment was not just, 'Hey, we're acting.' It was more of a thing. And then they cut and I cried. And Chris cried. And the Russos cried. And everyone cried. It was an emotional day.





We can probably bet on the Falcon and Winter Soldier Disney+ series to shed some light on how Sam will become Captain America. Until then, why don't you go see Avengers: Endgame. It doesn't need the help, but it's a really good movie.


Avengers: Endgame Fan Reportedly Hospitalized For Uncontrollable Sobbing

Avengers: Endgame Fan Reportedly Hospitalized For Uncontrollable Sobbing
Avengers: Endgame Robert Downey Jr. Tony Stark Iron Man

If you found yourself sniffling through Avengers: Endgame, take heart. You were not alone. At least one fan even had to be hospitalized after reportedly feeling all of the feelings at once during a showing.


A 21-year-old woman in China was reportedly sobbing uncontrollably during a showing of Avengers: Endgame and afterward reported feeling short of breath, with her hands and feet numb. She went to the ER, and doctors said they believed she was suffering from hyperventilation. They gave her oxygen and she eventually recovered.


This unnamed woman is probably just embarrassed by all of the attention now, but her story -- reported to Chinanews.com (via MFMY News) -- is probably not that different from reactions around the globe.




Emotions are running high for Avengers: Endgame fans. China, in particular, seems to be the source of a lot of heightened activity. Endgame is breaking box office records everywhere -- think of a record and it will probably break it if it hasn't done so already -- and that also includes China.


A man in Hong Kong reportedly wasn't so keen on team spirit and shouted some Endgame spoilers to people waiting in line to buy tickets at the movie theater. He was reportedly beaten for those spoilers, with fan reaction to that beating seeming divided.


People are just feeling a lot of things about Endgame, and that includes the stars themselves. Chris Evans (Steve Rogers/Captain America) said at last Monday's Avengers 4 premiere that he "cried like six times" watching the movie. He may have been exaggerating, but it's equally believable that he meant it. There's no shame in it.




Since Avengers: Endgame is playing on a record number of screens, fans who've already seen the movie in sold-out showings are already managing to get tickets to return. And they are crying all over again. It's the end of an era, and it's good to feel that. It would be sad if you felt nothing after that three-hour run (besides perhaps an urge to pee, or irritation with your fellow moviegoers, if you too had to sit next to an extremely loud laugher whose guffaws drowned out most of the post-joke lines).


We'll have our full box office rundown up later today (Sunday, April 28) but don't be shocked to see $1 billion in headlines for the global opening weekend gross. That's enough to send Disney execs sobbing with joy. (Like they need the money.) Fans seem to love the movie, with opening night moviegoers grading it with an A+ and CinemaBlend readers seeming to agree with our own poll.


Just don't forget: Take a deep breath, it's only a movie. And there will be more to come as the MCU continues with Spider-Man: Far From Home and Phase 4.




Friday, May 24, 2019

6 Heath Ledger Stories That Show What Kind of Actor He Was

6 Heath Ledger Stories That Show What Kind of Actor He Was
Heath Ledger in 10 Things I Hate About You

It's been more than a decade since Heath Ledger passed away and it's impossible to know where the actor would be in his career today if he were still alive. One of his last roles was as The Joker in The Dark Knight, and it went on to become the stuff of legends. People still talk about the effort that Ledger put into the character and how he delivered what's said by some to be one of the greatest performances of all time.


But Heath Ledger was in plenty of other movies before The Dark Knight, and by that point in his career, he had built up a reputation for himself as a serious-minded and very professional actor. He tackled each role by doing research and preparation, fully inhabiting whatever character he was playing. It was said that he locked himself away for a month to prepare for whatever part he was playing. As such, there are some memorable stories about his days on set and not all of them have to do with Joker. Here are six stories that remind us how great an actor Ledger was.


He Didn't Work For A Full Year To Avoid Typecasting


Heath Ledger's first Hollywood movie, 10 Things I Hate About You, introduced him to American audiences, where it didn't take long for people to fall for him as a teen heartthrob. He plays the steamy bad boy in the teen rom com, but Ledger wasn't interested in repeating himself. The only offers that were coming in after the film were for similar roles, so Ledger ended up refusing to work for an entire year until something different caught his eye. Looking back on his career, it was definitely something he succeeded at doing. He played everything from Bob Dylan to a stoner surfer dude to a Revolutionary War soldier to a clown-themed super villain. That's as varied a career as you can get.





He Kept A Joker Diary To Get Into Character


Heath Ledger turned down playing the title character in Batman Begins, but he was director Christopher Nolan's first and only choice to play the Joker in the sequel. Ledger signed on for the role before there was even a script, and part of how he prepared for the part was that he kept a diary of twisted images and things that he thought the Joker would find funny (AIDS was apparently one of them). Ledger wouldn't stay in character when not filming, so he would keep the diary with him and use it to get back into character before the cameras started rolling. Apparently, the actor was able to get into character quickly, and had no problem being chummy with the crew in-between takes (while he was still in full make-up and costume).


He Did All His Own Stunts In The Patriot


Tom Cruise doesn't own the monopoly for doing your own stunts. Case in point, Heath Ledger did all his own stunts for the Revolutionary War action-drama The Patriot. That means he handled stunts such as horseback riding, firing muskets, close-range combat and working with Mel Gibson all on his own. That's mighty impressive considering the movie had a heavy emphasis on action and could be pretty physically demanding; more than one tomahawk is thrown in this movie. One can only imagine the lengths Ledger went to while preparing for the non-combat scenes.


He Nearly Broke Jake Gyllenhaal's Nose Kissing Him So Hard


One of Heath Ledger's most significant and popular films is Brokeback Mountain, in which he and Jake Gyllenhaal star as cowboy lovers. In the movie, the two actors share a passionate kissing scene and reportedly, Ledger almost broke Gyllenhaal's nose because of how hard he was kissing. Additionally, he and Gyllenhaal would kiss off-screen for co-star Michelle Williams, who felt that it would help her get into character. Williams was dating Ledger in real-life at this point, so she felt watching him kiss someone else would really get her into her character's mindset.





He Asked Christian Bale To Punch Him In The Face For Real


The Dark Knight's interrogation scene is one of the most well-known in the movie, as Batman truly begins to realize the madness he's facing. The Joker isn't a foe he can just punch into submission because the more Batman beats him, the more he likes it. Heath Ledger was apparently getting into it, too. Christian Bale said that Ledger was egging him on to really punch him in the face, but Bale understandably wouldn't do it. After all, it looks just as good with a fake punch as it would with a real one. Bale commented that Ledger was so committed to the role, that he was cracking the tiles in the room because of how hard he was throwing himself around.


He Wore The Real Skip Engblom's Clothes For Lords Of Dogtown


In the film Lords of Dogtown, Heath Ledger plays Skip Engblom, the owner of a surf shop and promoter of a local skateboarding team in Venice Beach. To get into character, Engbolm's wife let Ledger wear some of her husband's clothes. Keep in mind that this movie took place in the '70s, so Ledger was wearing some authentically old and groovy clothes. Additionally, the real Skip originally wanted Ledger to play him in the movie and got his wish! And then the actor was wearing his clothes, so it was a double whammy.


It's sad to think that we'll never get another Heath Ledger performance, but the actor certainly left an impression on those he worked with in the short amount of time he was on this Earth. I doubt Christian Bale will ever forget that a man dressed as a psychotic clown asked him to punch him in the face as hard as he could. Based on comments from directors who worked with Ledger, he was a deeply observant and intelligent actor who throw himself fully into a wide range of roles. Ledger rarely repeated himself and it's safe to say that he avoided his fear of getting typecast. At least we have these memorable stories to remember a great talent.





Thursday, May 23, 2019

No, Michael Keaton Isn’t Returning For Spider-Man: Far From Home

No, Michael Keaton Isn’t Returning For Spider-Man: Far From Home
Michael Keaton in Spider-Man: Homecoming

With Spider-Man: Far From Home being the first Marvel Cinematic Universe movie post Avengers: Endgame, a lot of secrets were being kept about the film to keep the big crossover event properly secret. Now that things are getting a bit relaxed on the spoiler front, we're getting some more detail about what is actually in the upcoming movie, as well as what's not in it, including an appearance by the Vulture.


For many, one of the highlights of Spider-Man: Homecoming was Michael Keaton's role as Adrian Toomes. He's generally viewed as one of the better MCU villains to date, and that film ended with Toomes knowing the secret of Spider-Man's identity. It seemed like the sort of thing that might factor into a sequel, and so the word that Michael Keaton would be back for the movie that came to be known as Spider-Man: Far From Home wasn't a huge surprise.


Except, it turns out, that's not the case. Director Jon Watts says that we won't see Michael Keaton in the new movie, nor will we see Laura Harrier, who played Liz, Peter's love interest, and Toomes daughter, in the first film. According to Watts...





Keaton is not in the movie. And Laura is not in the movie.



Jon Watts doesn't go into further detail with Fandango, so it's not clear why it was being reported that Michael Keaton would be returning a year ago and now that turns out not to be true. It's possible there were initial plans to have Adrian Toomes appear, but the script went through changes. It's also possible that somebody got a hold of a fake script, something MCU movies have been known to use in the past to prevent spoilers from leaking.


Back when it was reported that Keaton would be in the movie we knew very little about the project as a whole, and so the possibility that he would be returning was certainly there. Now that we know what the movie is about, with Peter Parker on a European vacation with classmates when some massive elemental monsters appear, it's hard to imagine how Keaton's character, in prison in New York as far as we know, would fit into the story.




There appears to be plenty going on already. Jake Gyllenhaal plays Mysterio, a character who is typically a Spider-Man villain, but appears to be a hero in the trailers. Of course, Mysterio is usually a fraud in the comics, so it remains to be seen if this is all on the level.


In addition to that, we have the information that a hole has been torn in between dimensions as part of the use of the Infinity Stones, allowing at least one person from an alternate reality to cross over.


While we may not see Michael Keaton return in Spider-Man: Far From Home the possibility of him returning in the future is always there. If the multiverse really is going to play a role in the future of the MCU, we could see multiple versions of Michael Keaton for all we know.




Wednesday, May 22, 2019

Daniel Craig Thinks James Bond Could Change Gender Or Race

Daniel Craig Thinks James Bond Could Change Gender Or Race
Daniel Craig as James Bond

Daniel Craig is coming back to play James Bond one more time, but the actor admits that this is almost certainly his last go-round as the super spy. That means the part will need to be recast for the film that comes after Bond 25, and when that happens, some have suggested that the part should go to a woman or a person of color. Craig himself seems quite open to that possibility, saying that nobody should be eliminated from consideration for the part automatically. According to Craig...



The right person for the job, I think that's what it should be. I think that everybody should be considered.



Since the character's inception, James Bond has always been a white dude. While the actors who have played him have come from all parts of the UK, and even once from Australia, the rest hasn't changed much. However, James Bond, being part of one of the longest running film franchises ever, has now become more icon than man, and there are those that believe that the character can move forward as a different race or even a different gender and still be James Bond.




James Bond certainly isn't the same character today that he was when Sean Connery originated him for the screen. The character has evolved with the times and there's no reason the character couldn't continue to evolve in this way.


At the same time, while Daniel Craig says that everybody should be considered for the role of James Bond, he also tells ET that the larger issue is that the number of great roles for women and African Americans is more limited than it should be. He seems to feel that this is part of the reason there is interest in roles like James Bond.



For women and for African Americans, there should be great parts anyway, across the board. It shouldn't have to be Bond that takes... it doesn't need to be Bond. It just needs to be written -- some good parts.





At the end of the day, the fact that James Bond as a character has survived and thrived for so long, and that there is no equivalent character played by a woman or a person of color, is certainly part of the issue. All actors want to play great roles, but some of them, surely, want to play popular ones too, and there are few bigger than James Bond. At the end of the day, whether a person can play James Bond should come down to a talent and not the happenstances of birth.


Hopefully, as Craig says, everybody will be considered and when the time comes to find a new James Bond, the right person will get the job. Until then, we have one more adventure with the current Bond, that will hit screens next year.


The 10 Most Thrilling Monster Movies Ever

The 10 Most Thrilling Monster Movies Ever
The mighty King Kong

The monster movie: it's a genre that goes back to the beginning of Hollywood. Classic monsters like King Kong and Godzilla never really go away; they always come back. Plus, there is a whole slew of classic b-movies like Creature From The Black Lagoon and The Blob that helped define movies of their era.


Today, the monsters are bigger and scarier than ever, but many of those classics still remain among the best. There is a really an art to making a scary monster. They don’t have to just be larger than life, as sometimes the scariest thing about them is when you don’t even see them.


So here is our list of the best of the best, in no particular order, starting with one of the greatest movies of them all, and it's not just as a monster movie either.




Jaws (1975)


This is the movie that made Steven Spielberg famous. Jaws remains just as terrifying and incredible as it was almost 45 years ago when it was first released. It scared people out of the water then, and it’s still doing it today. No one goes swimming in the ocean without thinking about what could be lurking in the dark under them, and that’s all thanks to the shark in Jaws.


One of the scariest things about Jaws is how you actually very rarely see the shark in the film. The very THOUGHT of a killer Great White like the one in Jaws is enough to scare the wits out of most people. By the time Roy Schieder, Richard Dreyfuss and Robert Shaw do finally track down the shark, audiences are so on edge about it, the payoff of finally getting a good look at the shark is incredible, even if the special effects and the robot shark seem a little dated. It’s still one of the scariest monsters in movie history.


Pacific Rim (2013)


Pacific Rim, directed by the always brilliant Guillermo del Toro, is a modern riff on the classic Godzilla flick. A rift in the ocean floor has opened up and with it, monsters from the middle of the Earth are emerging and destroying cities on the Pacific.




With an all-star cast led by Charlie Hunnam, Idris Elba, Charlie Day, and Ron Pearlman, the beautifully shot movie, as you'd expect from del Toro, is a pure joy to watch. It has everything anyone would want in a Godzilla-like movie. Even the names of the monsters, “Kaijus,” are a tribute to the classic Japanese giant monster movies from the '50s and '60s. As to be expected, Pacific Rim has a sequel, though it didn't live up to the original.


Jurassic Park (1993)


Jurassic Park came in the middle of an incredible run by director Steven Spielberg and it immediately ranked among his best work when it was released in 1993. The original that spawned an enormous franchise and still has us holding on to our butts a quarter of a century later remains one of the best.


Jurassic Park changed the game when it came to special effects in monster movies. Even today, when you watch the movie, it’s amazing how life-like and realistic the dinosaurs look. The days of cheesy looking giant lizards and gorillas were definitely over. Just like when the original Star Wars rewrote the book on special effects in science fiction, so too did Jurassic Park in monster movies.




Predator (1987)


In the 1980s, a decade packed with larger-than-life action stars, one name rose way above the rest: Arnold Schwarzenegger. With a run of hits like the Conan movies, Terminator, Commando, The Running Man, and, of course, his classic monster movie, Predator, Ah-nold was king of the box office musclemen.


Predator is everything anyone would ever want in a monster movie, filled with action, bad acting, accidentally hilarious dialogue and one awesome monster, that, like the dinos in Jurassic Park, would launch an enduring franchise that audiences still love today. That monster, The Predator, is as scary as they come. An alien from an unknown planet that can make itself almost completely invisible, but don’t worry, if it bleeds, they can kill it.


Aliens (1986)


Yet another classic monster movie franchise, one that eventually cross-pollinated with the Predator series, really got its start with 1986’s Aliens. Of course, it’s not the first in the series (that would be Ridley Scott’s Alien), but it is the one that turned the franchise into a box office smashing behemoth. While James Cameron takes a hard time from series film buffs these days, there is no question that he was on top his game in this one.




Set 57 years after the first Alien movie, Ripley (Sigourney Weaver) is discovered floating in her ship in stasis by a mining crew. After a series of events force Ripley to accompany a crew of tough marines to a colony in space, all hell breaks loose as the alien and its offspring reek havoc down on everything, killing almost everything, except Ripley, of course, in its way. Aliens is scary and filled with silly (but still awesome) dialogue just like a good monster movie should be.


Cloverfield (2008)


Cloverfield is a very 21st century kind of monster movie. Using the “found footage” approach to show the attacks and, more often, the reaction to the attacks, Cloverfield does one thing really well, it keeps the monster hidden, with just enough teases to having us begging to finally see it. Shaky, blurring footage is all any really sees for much of the movie. It’s also a classic Kaiju-type monster that destroys everything in its path, including the Brooklyn Bridge and much of Lower Manhattan.


Like a lot of other movies on this list, this one also launched a successful franchise. It may not be on the level of some of the others, but it has spawned two sequels, though it may be a while before there is another one, as the most recent Cloverfield film, The Cloverfield Paradox, wasn’t well received. But don’t worry about that, the original is still epic.




Gremlins (1986)


Gremlins is a different kind of monster movie, as this list goes, because it’s not one giant monster like so many on here, but instead it’s a whole mess of nightmarish lizard-like evil little jerks that run rampant all over town terrorizing the citizens of Kingston Falls. It’s also a black comedy set at Christmas, which could put it on a couple other “best of” lists as well.


The monsters start as cute furry mogwais, of course, but once they multiply after getting wet and turning into the malicious Gremlins upon eating after midnight, the destruction is on! Plus, the movie is filled with creative cameos and a cast made up of some actors that go back to the some of the classic '60s monster movies, like Jackie Joseph and Dick Miller, who starred in the original Little Shop Of Horrors plus lots more, and Belinda Balaski, who was in The Howling and the cult classic Piranha.


The Fly (1986)


Director David Cronenberg is mostly known for doing weird, small and quirky movies like Naked Lunch and Scanners. 1986’s The Fly ended being his biggest commercial success to date and it spawned a sequel, a comic book and even an opera, though Cronenberg wasn’t involved in the sequel or the comic book.




Based on a short story by George Langelaan, which also inspired a version of the story on film in 1958, The Fly stars Jeff Goldblum as a scientist that accidently genetically merges with a fly. The movie is more of a psychological thriller than pure monster movie, as Goldblum tries to figure how to reverse his DNA curse, but only continues to make things worse for himself until there is almost nothing left of the man and he is almost all fly.


Tremors (1990)


The original Tremors, starring Kevin Bacon and Reba McEntire, was a bit of a bomb at the box office when it was released in 1990, but over the years, the movie cultivated a huge cult following because of its humor and it’s over the top, ridiculous action. Because of its enormous success on video, a straight-to-video franchise was born.


In the original, the members of a small desert town in Nevada are terrorized by an underground monsters, called Graboids, that, like the best monsters movies, are unseen for most of the movie. It’s almost like a Jaws set in the desert with the terrifying monster lurking below the rock and dirt instead of the water. It causes the same helpless feeling that shark did, like, you’re in ITS territory now, so watch out for cracks in the desert and large tongues emerging from them.




King Kong (1933)


We end the list where the genre arguably began, with the king of them all, King Kong. There is no more iconic scene than the one in King Kong when the giant ape is climbing up the Empire State Building searching for safe place for Ann, played by the one and only Fay Wray, the human he has fallen for.


While that scene is the most remember, the rest of the movie is also filled with monsters. Kong is discovered on “Skull Island” where he rules over the few human inhabitants and a number of huge dinosaurs that confront the search party looking for Kong, to bring back to New York as a circus attraction.


King Kong has since taken a spot among the greatest movies of all time and not only created a franchise that has lasted almost a century, but was also at the nexus of the whole monster movie genre and for that it, and Kong, will forever be on lists like this.




You can be sure that until there will be many more monster movies in the future and for that we are grateful, because the genre is one of the true classics, with a shapeshifting ability to fit into any generation.


Tuesday, May 21, 2019

Why Dumbo Should Have Been A Sequel Instead Of A Remake

Why Dumbo Should Have Been A Sequel Instead Of A Remake
live action Dumbo with feather

The following contains SPOILERS for the new live action Dumbo.


Dumbo won the box office this past weekend, but it did so with less than impressive numbers. The movie performed similarly with critics. The film has received slightly more negative reviews than positive ones, but critics are split almost in half. Either way, most positive reviews aren't glowing and most negative ones aren't too damning. As one of those who had a slightly positive view of Dumbo, I liked so many aspects of it that I wish it was better, and I think it could have been if it had followed its true calling and just been a straight sequel rather than a remake.


If you've seen Dumbo, then you know that most of the movie is essentially a sequel already. The events that cover the story of the original animated Dumbo get dispensed with in less than 30 minutes. Considering that the original movie did it in only slightly more than double that time, it makes sense not to waste too much time with it. Once Dumbo is discovered to be a flying elephant, the animated film ends, but that's just the end of Act I for the new movie.




The stuff that's worthy of praise in Dumbo almost exclusively comes from the latter two-thirds of the movie. You get the utterly insane "Evil Walt Disney" villain played by Michael Keaton. You get Eva Green, who is awesome because she's Eva Green. You get Tim Burton's take on "Pink Elephants on Parade," which is a thing I didn't even know I cared about. You get Colin Farrell being "adorable dad," which is his perfect position in Disney movies.


The biggest problem that Dumbo has is that it has trouble letting all of these ideas breathe because it has to dedicate a significant portion of its run time to the original story of Dumbo.


This is pretty much unnecessary and could have been overcome quite easily. The fact is that while Dumbo is certainly a story we all know, unless you've seen the film recently, odds are all you really remember about it is, "There's an elephant that can fly." That's actually all you need to know. If you do remember more, you certainly don't need to see it again.




Imagine if the new Dumbo opened exactly as it did, with Colin Farrell's Holt Farrier coming back from war, only this time, instead of Danny DeVito's Max Medici putting him in charge of the elephants before Dumbo is born, Medici tells Farrier that he's really happy Farrier is back, because the circus has a new star that needs to be taken care of, and Farrier is just the man to trust with the job. Dumbo flew for the crowd for the first time last night and word has already begun to spread. That's all we really need to know. Any additional info can be conveyed through dialogue with the other circus performers.


We didn't need to see anything of the original plot in this movie. I have no particular love for the original Dumbo, but there isn't anything I think the new version did better. The "Baby Mine" sequence is an emotional moment in the animated film, but it felt like it was being included in the remake simply because it was the sort of things fan expected. It was tacked on.


Now the movie can jump straight into the new material. The 20 minutes we just saved can be used to dig a little deeper into the rest of the story. We could get to know some of these characters a little better, as that was one of the big things missing from this new version of the story. Farrier's kids are important parts of Dumbo's life, but beyond, "Milly likes science," what do we really know about them?




I had a similar problem back when I first saw Disney's Maleficent. The film surprised the hell out of me by turning the story of the mistress of all evil into a rape revenge story. Needless to say, I did not see that coming. I found both the beginning and end of the movie to be quite good, but in the middle the story of Maleficent took a back seat because we had to tell the story of Sleeping Beauty, because clearly the feeling was it needed to happen. This slowed the movie to a crawl.


The idea behind these remakes is that people love these classic Disney stories, and the live-action versions allow fans to experience them in new ways that honestly weren't possible until recently. While that may be true, what if we looked at it from another angle? Because these stories are so well loved, we don't need to see them again since we know them incredibly well. However, that doesn't mean we don't need to want to see the characters again.


Because we don't need to see these movies again, but we love the characters all the same, sequels are the way to go. Take the animated original as a given, and then come up with a live action sequel that will give us something fresh and new. It won't work with every Disney property, of course. A live-action sequel to Aladdin rather than the remake we're getting would have to include somebody trying to recreate Robin Williams version of that character, and nobody wants that. But if even just a few of these movies went the sequel route, it would at least change things up a bit and let the remakes feel a bit fresher when they did happen.




Of all the live-action fairy tale movies that Disney is releasing this year, I'm actually looking forward to Maleficent: Mistress of Evil above them all. Because the film is a sequel to a movie that never had a Disney animated sequel, the story will almost certainly be entirely original. It's not going to feel like it owes anybody anything and won't need to include scenes that fans want to see new versions of, but will instead just get to tell its own story. i can only hope it's willing to take some of the same risks the previous film did.


Dumbo would have benefited greatly by simply committing to being the sequel it largely was anyway. Trying to be both things in order to make fans happy only prevented the film from being its own thing and flying on its own.


Monday, May 20, 2019

See What Idris Elba Could Look Like As Deadshot In The Suicide Squad

See What Idris Elba Could Look Like As Deadshot In The Suicide Squad


The DC live-action universe is in a fascinating place right now. While things looked bleak after the release of Justice League, Warner Bros. changed its plan of action, and seems to be on the upswing. With less of a focus on serialized storytelling, James Wan's Aquaman was a critical and box office success, and there's plenty of other exciting projects coming down the pipeline. One of them is James Gunn's still developing The Suicide Squad, which will make liberal changes to the titular team and cast.


James Gunn's plans for The Suicide Squad are slowly coming to light, as the story and characters are chosen for the upcoming sequel to David Ayer's original film. While rumored character lists have already started swirling around the internet, one bit of casting has been confirmed: Idris Elba will replace Will Smith as DC's Deadshot. Smith won't be participating in the blockbuster due to conflicts, and fans are eager to see what 46 year-old actor Elba will do with the villain. Now we've got an idea of what he could look like as the man who never misses. Check it out below.


Does anyone else have chills? Idris Elba looked like a hulking force as Deadshot, and this image should get any naysayers a better idea of what the recasting could look like on the silver screen. Elba's star power has been growing for years, and now seems like the perfect time to give him another comic book role in The Suicide Squad.





The above image comes to us from Boss Logic, who regularly renders potential superhero looks for rumored actors. But Idris Elba's role as Deadshot has been confirmed, so his art is especially exciting. If James Gunn keeps Deadshot's costume consistent with the one Will Smith rocked in Suicide Squad, then that might be exactly what Elba could look like in the still developing sequel. And it's awesome.


Suicide Squad adapted Deadshot's costume fairly accurately, although the Batman rogue didn't wear his signature white mask quite as much as comic book fans are accustomed do. This was obviously so director David Ayer could better feature Will Smith. Why book the A-lister if you're going to keep his face covered? As such, it seems logical that James Gunn would use a similar design for his follow up, and might once again opt to keep the character mostly unmasked. When you've got the Sexiest Man Alive, you're going to want to show that Golden Globe winning mug to the audience.


Then again, James Gunn could opt to change Deadshot's appearance in The Suicide Squad, and differentiate his version of the character from Will Smith's. The sequel will reportedly feature returning characters in Deadshot, Harley Quinn, and Rick Flag, but reports also indicate that Gunn is going to be adding in some newcomers. The developments for The Suicide Squad have been fascinating, especially as the writer/director has already shown a willingness to recast if the original actors are unavailable.





Regardless, the rendering of Idris Elba as Deadshot is sure to excite both comic book enthusiasts and casual moviegoers. Elba's career has been on a serious trajectory, and he's got experience in the superhero genre as well. Before we get to see him suit up as the DC villain, he'll be the big bad Hobbs & Shaw. So while he's shut down rumors of replacing Daniel Craig as James Bond, the action genre is one that Elba clearly feelings comfortable in.


Suicide Squad's performance was fascinating, as it had both highs and lows once arriving in theaters. While David Ayer's blockbuster made a good bit of money at the box office, it was a critical failure that failed to really resonate with audiences. But that didn't stop the blockbuster from picking up an Oscar along the way, and starting a franchise and spinoff in Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn).


Will Smith's Deadshot was one of the strongest aspects of Suicide Squad, as he and Margot Robbie's Harley Quinn helped to carry the somewhat disjointed blockbuster. Deadshot's fixation and hatred of Batman was fleshed out, as was his undying love for his daughter. The character was arguably the most nuanced member of the Squad, as Smith balanced a love for killing and villainy with a family focused story. Idris Elba has some big shoes to fill, but the actor luckily got the following and star power to hopefully set him up for success.





Idris Elba has had his own long tenure in the superhero genre, thanks to his role as Heimdall in the Marvel Cinematic Universe. Elba played the powerful Asgardian in all three Thor movies, in addition to making brief appearances in Avengers: Age of Ultron and Infinity War.


Unfortunately, Idris Elba was never given quite enough material to showcase his talents during the Thor trilogy. This is a symptom of the franchise, which has put most of its focus on the title character and Loki. Shazam! star Zachary Levi has previously expressed his dissatisfaction with playing Fandral in the last two Thor movies, because the Warrior's Three never got to be properly fleshed out. The same can arguably be said for Heimdall, who mostly served as a tertiary presence as the keeper of the Bifrost.


Heimdall was tragically killed off during the opening moments of Avengers: Infinity War. After Thanos laid siege to the Asgardian ships from Thor: Ragnarok, Heimdall summoned the last of his powers to teleport Hulk back to Earth. His last action was a heroic one, and Thanos made him pay by taking his life. Heimdall and Loki's murders were the primary motivation for Thor to get revenge on the Mad Titan. Although he probably should have aimed for the head.





Now that Heimdall's story has been wrapped up, it frees Idris Elba to hop over to DC and get a starring role in The Suicide Squad. The combination between Elba and James Gunn is enough to get most comic book fans extremely excited.


The Suicide Squad is currently set to arrive in theaters on August 6th, 2021. In the meantime, check out our 2019 release list to plan your next trip to the movies.


Sunday, May 19, 2019

Tom Holland Warns Of A Spider-Man: Far From Home Scene That Will Be An Emotional Punch In The Face

Tom Holland Warns Of A Spider-Man: Far From Home Scene That Will Be An Emotional Punch In The Face
Tom Holland in Spider-Man: Far From Home

Jon Watts’ initial Spider-Man movie, Spider-Man: Homecoming, was more emotional than you might remember. Yes, it had its lighter moments, and inspirations from the high school classics delivered by John Hughes. But there were tough, emotional beats in that movie as well, which Watts and leading man Tom Holland weren’t afraid to embrace and wallow in. And it sounds like they are back at it in the upcoming Spider-Man: Far From Home.


CinemaBlend recently traveled to the London set of Spider-Man: Far From Home and watched the creative team work. During a sit-down conversation with Tom Holland, we brought up complicated scenes from Homecoming that really stuck with us, from the scene of Peter Parker pushing himself out of the rubble – a direct callback to The Amazing Spider-Man No. 33, “The Final Chapter” – to his verbal standoff with Michael Keaton in the car outside of Liz’s dance.


We asked if Spider-Man: Far From Home includes tense, emotional moments similar to these, and Holland immediately opened up, stating:





There’s a scene in this film where audiences will feel like they were punched in the face. Even filming it, I remember walking out and then watching it again on the monitors and asking Jon, ‘Are you sure that's okay?’ And he's like, ‘No, it's not. People are going to hate this scene.’ But it really… God, it’s pretty crazy. And it's very similar in the way that it's very tense, and it sort of rips the rug from underneath your feet. It's pretty awesome.



Now that is a tease. Tom Holland couldn’t come close to giving us any more context about the scene he is discussing. At the same time, Holland was pretty guarded during the whole visit, because when he sat down to discuss Spider-Man: Far From Home, none of us had yet to see Avengers: Endgame. That movie didn’t even have a title yet. And as far as we knew, Spider-Man was dust.


Naturally, now, we know that he’s back… and if you saw Avengers: Endgame, you know how he comes back! The latest trailer for Spider-Man: Far From Home sort of shows how he is going to pick up the pieces following Endgame, so why don’t we let that teaser tell the story:




In Spider-Man: Far From Home, Peter Parker (Tom Holland) needs to take a break from that superhero lifestyle, so he agrees to accompany his classmates on a European jaunt. Only, once there, he gets caught up in a series of global attacks that are being investigated by Nick Fury (Samuel L. Jackson) and a new ally, Quentin Beck (Jake Gyllenhaal).


As much as Spidey wants to sit this one out, Fury and Beck need his assistance to take down Elementals – creatures that are from another dimension, or multiverse, and could cause real problems for the world at large.


Spider-Man: Far From Home swings into theaters on July 2. Stay here on CinemaBlend for a lot more coverage from our visit to the movie’s set.